Qing dynasty Buddhist monks

Su Manshu (simplified Chinese: 苏曼殊; traditional Chinese: 蘇曼殊; pinyin: Sū Mànshū, 1884–1918) was a Chinese writer, poet, painter, revolutionist, and a translator. He was born as Xuanying in 1884 in Yokohama, Japan. He later adopted Su Manshu as a Buddhist name. His father was a Cantonese merchant, and his mother was his father's Japanese maid. He went back to Guangdong, China when he was five while his mother stayed in Japan.

Mu'an (Chinese: 木庵性瑫; pinyin: Mù'ān Xìngtāo; Japanese Mokuan Shōtō) (1611–1684) was a Chinese Chan monk who followed his master Yinyuan Longqi to Japan in 1654.

Ingen Ryūki (traditional Chinese: 隱元隆琦; pinyin: Yǐnyuán Lóngqí; Japanese: 隠元隆琦) (December 7, 1592 – May 19, 1673) was a Chinese poet, calligrapher, and monk of Linji Chan Buddhism from China. He is most known for founding the Ōbaku school of Zen in Japan.

Shitao or Shi Tao (simplified Chinese: 石涛; traditional Chinese: 石濤; pinyin: Shí Tāo; Wade–Giles: Shih-t'ao; other department Yuan Ji (Chinese: 原濟; Chinese: 原济; pinyin: Yuán Jì), 1642 – 1707), born into the Ming dynasty imperial clan as Zhu Ruoji (朱若極), was a Chinese Buddhist monk, calligrapher, and landscape painter during the early Qing dynasty.

Bada Shanren (八大山人) was a late-Ming and early-Qing dynasty Chinese painter, calligrapher, and poet. He was born in Nanchang, Jiangxi, in 1626, at the cusp of a dynastic transition. He spent most of his early to mid-life in the Buddhist monkhood, returning to Nanchang when he was about fifty. He embarked on an artistic career soon after reentering secular life in 1680, producing works that featured his calligraphy, painting, and poetry. Most of the time, he painted simple subjects like flowers, plants, and animals and kept most of the given space empty. Toward the end of his life, he started painting more landscapes. As a Ming loyalist, he often expressed his dissatisfaction with the Qing government through his work.

Kun Can (髡殘) (1612 to after 1674) was a Chinese Buddhist monk and painter during Ming and Qing dynasties. He hailed from Hunan, but spent most of his life in Nanjing. He became a Chan Buddhist monk at an early age and in Nanjing was abbot of a monastery on Niushou Shan. His style of landscape painting was influenced by Wang Meng and he is one of the Four Monk Masters in the early Qing Dynasty. The others being Zhu Da, Hong Ren, and Shitao. As he was also known as Shi Xi he was at times said to be one of the "Two Shi". Few of Kun Can's works survive.

Tao Runai (Chinese: 陶汝鼐; pinyin: Táo Rǔnaì; 1601 - 1683), courtesy name Zhongtiao (仲調) and Xieyou (燮友), art name Mi'an (密庵) and Shixinong (石溪農), dharma name Rentoutuo (忍头陀), was a Chinese official, scholar, calligrapher and Buddhist monk who resisted the Qing conquest of China in the 17th century. He spent most of his life during the Manchu conquest of China and anti-Qing activities after the Ming dynasty had been overthrown.

Yuan Ying (simplified Chinese: 圆瑛; traditional Chinese: 圓瑛; pinyin: Yuán Yīng; 1878 - 12 September 1953) was a Chinese Chan Buddhist master and the first Venerable Master of the Buddhist Association of China.

Liangqing (良卿法师) was a Chinese Buddhist Monk and Abbot of Famen Temple (Chinese: 法门寺; pinyin: Fǎmén Sì).

Hong Yi (23 October 1880 – 13 October 1942; Chinese: 弘一; pinyin: Hóngyī, and Chinese: 演音; pinyin: Yǎnyīn), born Li Shutong (李叔同 and 李漱筒) was a Chinese Buddhist monk, artist and art teacher. He also went by the names Wen Tao, Guang Hou, and Shu Tong, but was most commonly known by his Buddhist name, Hong Yi. He was a master painter, musician, dramatist, calligrapher, seal cutter, poet, and Buddhist monk.