Lesbian screenwriters

Allison Beth Adler (born May 30, 1967) is a Canadian-American television producer and writer. She is the co-creator of Supergirl and The New Normal, and is also known for her work on Chuck and Family Guy.

Cynthia Mort (born June 18, 1956) is an American director, screenwriter, and producer. Mort has worked primarily in television since beginning her career in 1994, writing for the sitcom Roseanne. Her notable works include the HBO series Tell Me You Love Me as a creator and executive producer, the revenge film The Brave One (2007) as a screenwriter, and the biopic Nina (2016) as a director.

Rita Mae Brown (born November 28, 1944) is an American feminist writer, best known for her coming-of-age autobiographical novel, Rubyfruit Jungle. Brown was active in a number of civil rights campaigns, but tended to feud with their leaders over the marginalising of lesbians within the feminist groups. Brown received the Pioneer Award for lifetime achievement at the Lambda Literary Awards in 2015.

Wanda Yvette Sykes (born March 7, 1964) is an American actress, comedian, and writer. She was first recognized for her work as a writer on The Chris Rock Show, for which she won a Primetime Emmy Award in 1999. In 2004, Entertainment Weekly named Sykes as one of the 25 funniest people in America. She is also known for her roles on CBS' The New Adventures of Old Christine (2006–10), HBO's Curb Your Enthusiasm (2001–11), and ABC's Black-ish (2015–present). She currently stars in the Netflix original series The Upshaws which premiered on May 12, 2021, with Kim Fields and Mike Epps.

Marina Rice Bader is a writer, director, and film producer. She is known for the films Anatomy of a Love Seen (2014), Raven's Touch (2015), and Ava's Impossible Things (2016). She was executive producer for Elena Undone (2010) and A Perfect Ending (2012). She started the Soul Kiss Films production company in 2009. She champions the LGBTQ+ community, saying "We could use more films with well-rounded LGBTQ+ characters, and I hope in some way I’m helping to address that issue."

Dorothy Emma Arzner (January 3, 1897 – October 1, 1979) was an American film director whose career in Hollywood spanned from the silent era of the 1920s into the early 1940s. From 1927 until her retirement from feature directing in 1943, Arzner was the only female director working in Hollywood. Additionally, she was one of a very few women able to establish a successful and long career in Hollywood as a film director until the 1970s. Arzner made a total of twenty films between 1927 and 1943 and launched the careers of a number of Hollywood actresses, including Katharine Hepburn, Rosalind Russell, and Lucille Ball. Additionally, Arzner was the first woman to join the Directors Guild of America and the first woman to direct a sound film.

Marion Morgan (January 4, 1881 –November 10, 1971) was an American choreographer and motion picture screenwriter and the longtime companion of motion picture director Dorothy Arzner. Arzner lived for the last 40 years of her life with Morgan.

Ilene Chaiken (born June 30, 1957) is an American television producer, director, writer, and founder of Little Chicken Productions. Chaiken is best known as being the co-creator, a writer and executive producer on the television series The L Word and was recently an executive producer on the hit television series Empire.

Jamie Merill Babbit (born November 16, 1970) is an American film director, producer and screenwriter. She directed the films But I'm a Cheerleader, The Quiet and Itty Bitty Titty Committee. She has also directed episodes of television programs including Russian Doll, Gilmore Girls, Malcolm in the Middle, United States of Tara, Looking, Nip/Tuck, The L Word, Silicon Valley, and The Marvelous Mrs. Maisel.

Léa Pool C.M. (born 8 September 1950) is a Swiss-Canadian filmmaker who taught film at the Université du Québec à Montréal. She has directed several documentaries and feature films, many of which have won significant awards including the Prize of the Ecumenical Jury, and she was the first woman to win the prize for Best Film at the Quebec Cinema Awards. Pool's films often opposed stereotypes and refused to focus on heterosexual relations, preferring individuality.