1990s Mandarin-language films

Crying Freeman is a 1995 action film, based on the manga of the same name by Kazuo Koike and Ryoichi Ikegami. It is directed and co-written by Christophe Gans in his solo directorial debut and stars Mark Dacascos in the title role, a brainwashed assassin for a Triad secret society, who sheds a tear for every victim he kills. Tchéky Karyo, Julie Condra, Byron Mann, Masaya Kato, Yoko Shimada, and Mako play supporting roles.

Seven Years in Tibet is a 1997 American biographical war drama film directed by Jean-Jacques Annaud. It is based on Austrian mountaineer and Schutzstaffel (SS) sergeant Heinrich Harrer's 1952 memoir of the same name, about his experiences in Tibet between 1944 and 1951. Seven Years in Tibet stars Brad Pitt and David Thewlis, and has music composed by John Williams with a feature performance by cellist Yo-Yo Ma.

Lethal Weapon 4 is a 1998 American buddy cop action film directed and produced by Richard Donner, and starring Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Chris Rock, and Jet Li (in his international film debut). It is the fourth installment in the Lethal Weapon film series. It is the last film in the series directed by Donner before his death, and the latest to be released theatrically.

Shanghai Triad is a 1995 Chinese crime-drama film, directed by Zhang Yimou and starring Gong Li. The script is written by Bi Feiyu based on Li Xiao's 1994 novel Rules of a Clan (门规). The film is set in the criminal underworld of 1930s Shanghai, Republic of China and spans seven days. Shanghai Triad's Chinese title reads "Row, row, row to Grandma Bridge", refers to a well known traditional Chinese lullaby.

The Red Violin (French: Le Violon Rouge) is a 1998 drama film directed by François Girard and starring Samuel L. Jackson, Carlo Cecchi and Sylvia Chang. It spans four centuries and five countries telling the story of a mysterious red-coloured violin and its many owners. The instrument, made in Cremona in 1681 with a future forecast by tarot cards, makes its way to Montreal in 1997, where an appraiser identifies it and it goes to auction. The film was an international co-production among companies in Canada, Italy, and the United Kingdom.

The Pillow Book is a 1996 erotic drama film written and directed by Peter Greenaway, which stars Vivian Wu as Nagiko, a Japanese model in search of pleasure and new cultural experience from various lovers. The film is a melding of dark modern drama with idealised Chinese and Japanese cultural themes and settings, and centres on body painting.

Iron Monkey is a 1993 Hong Kong martial arts film written and produced by Tsui Hark and directed by Yuen Woo-ping, starring Donnie Yen, Yu Rongguang, Jean Wang, Angie Tsang and Yuen Shun-yi. It is not related to the 1977 Hong Kong film of the same title.

Farewell My Concubine is a 1993 Chinese-Hong Kong epic historical drama film directed by Chen Kaige, starring Leslie Cheung, Gong Li and Zhang Fengyi. Adapted for the screen by Lu Wei, based on the novel by Lilian Lee, the film is set in the politically tumultuous 20th-century China, from the early days of the Republic of China to the aftermath of the Cultural Revolution. It chronicles the troubled relationships amongst two lifelong friends, the Peking opera actors Cheng Dieyi (Cheung) and Duan Xiaolou (Zhang), and Xiaolou's wife Juxian (Gong).

Chungking Express is a 1994 Hong Kong arthouse romantic comedy-drama film written and directed by Wong Kar-wai. The film consists of two stories told in sequence, each about a lovesick Hong Kong policeman mulling over his relationship with a woman. The first story stars Takeshi Kaneshiro as a cop obsessed by his breakup with a woman named May, and his encounter with a mysterious drug smuggler (Brigitte Lin). The second stars Tony Leung as a police officer roused from his gloom over the loss of his flight attendant girlfriend (Valerie Chow) by the attentions of a quirky snack bar worker (Faye Wong).

The Wedding Banquet is a 1993 romantic comedy film directed, produced and co-written by Ang Lee. The story concerns a bisexual Taiwanese immigrant man (Winston Chao, in his film debut) who marries a mainland Chinese woman (May Chin) to placate his parents (Gua Ah-leh and Lung Sihung) and get her a green card. His plan backfires when his parents arrive in the United States to plan his wedding banquet and he has to hide the truth of his gay partner (Mitchell Lichtenstein). It was a co-production of Lee's Good Machine production company, and the Taiwanese Central Motion Picture Corporation.